Posts filed under 'Poetry'

Metaphorphosis

Just came across this, in the latest Orion Magazine:

osprey1.jpg

Doctrine

I love the church
of the osprey, simple
adoration, no haggling
over the body, the blood,
whether water sprinkled
from talons or immersed
in the river saves us,
whether ascension
is metaphor or literal,
because, of course,
it’s both: wings crooked,
all the angels crying out,
rising up from nests
made of sticks
and sunlight.

- Todd Davis

Indeed. It sounds like it could have come right out of Aldo Leopold or something.


12 comments 4 March 2008

Fishing

Powwow River, NH

Well, anyway,
you can’t clear a
forest and then
wonder where all
the deer went.


1 comment 12 July 2007

Tour Guides

Cover of Davis McCombs, Ultima ThuleI’m sitting here doing a little reading from Davis McCombs’ Ultima Thule, a collection of the author’s poems inspired by Mammoth Cave in Kentucky. Told from the vantage point of a slave cavern guide to tourists of Mammoth Cave in the 19th century, these poems are stunning reflections on beauty and provide some pretty awesome metaphors for life, spirituality, the whole bit. As a religionist and student of scriptures who also views the natural world in metaphoric terms for deep spirituality and community ethics, I was particularly taken by the poem “Tours:”

Tours

The services of a guide cannot, as a rule,
be dispensed with; we alone can disentangle
the winding passageways. I will admit
the tours for me grow burdensome.
How long must I endure their need to fill
with talk the natural silence? I have heard
it all before, their proposed improvements:
Widen the trails so that two carriages
may pass abreast … Here, a capacious ballroom.
Mere fancies. And yet beneath their words
I have discerned a kind of rough-hewn fear.
From drawing rooms and formal gardens
they come to me, from sunlit lives they enter
the chill, grand and instantaneous night. (Ultima Thule, p. 17)

This is such a striking metaphor for what we as educators do. It also speaks to me in terms of stewardship; like the poet, we have all heard of proposed improvements to just about everything from Bibles to Bayous. Despite my vocation, I do feel moved to sometimes just turn off the exegesis, turn off the exposition, the discussion, and just let the text/landscape speak for itself, in silence.

And the rough-hewn fear … yeah, for both student and educator, laity and pastor, reader and expositor.

To do this poem justice, I must cease now, and let it speak to you in the silence.


1 comment 24 April 2007

Faith in Fakes

View of Crater LakeRecently I have been reflecting on what it means to try to live a real life in a world that strikes me as becoming increasingly unreal. Our world aspires now to unrealistic expectations of “progress” on the one hand or to the imminent advent of a salvific messiah to bring us to an eternal utopia on the other. Beauty is commodified and objectivized, to the point that we can no longer tell the difference between what is authentically beautiful and intrinsically good and what is a commercialized copy to serve ends that are anything but good. Seems like we have somehow exchanged genuine love for the beautiful and the good for a crass faith in fakes, as Umberto Eco puts it. Even when an occasional prophet comes along to expose the idols we have constructed, we typically have no idea how to restore, or re-create, an original beauty that can deconstruct our original sin.

In a recent post, Audrey (of saintsophia.wordpress.com) expresses her desire to be able to recreate in a way that gets her away from the pains and horror of the ugliness of real life, what Merton would call the “dread of emptiness, the lack of authenticity, the quest for fidelity” that results in the “experience of boredom and of spiritual disorientation” (Thomas Merton, Contemplative Prayer, p. 25). I have been feeling exactly the same, and the recent events in Blacksburg, Virginia, as well as the student’s self-proclaimed justifications for his actions, demonstrate how much the faith in fakes has taken over. Like Audrey, I also seek to recreate and to develop a spirituality and consciousness of beauty and goodness and ingenuity that can combat the faith in fakes wherever we find it (and this includes, let it be said right now, our churches and communities of faith). How do we live a real life in an unreal world? How do we life a life that seeks creation and recreation, that consecrates the beautiful and cherishes the good, that names the holy and recognizes the sacred?

 

Diane Ackerman, “The Work of the Poet is to Name What is Holy”

The work of the poet
is to name what is holy:

the spring snow
that hides unevenness
but also records
a dog walked at lunchtime,
the hieroglyphs of birds,
pawprints of a life
tiny but resolute;

how, like Russian dolls,
we nest in previous selves;

the lustrous itch
that compels and oyster
to forge a pearl,
or a poet a verse;

the drawing on of evening
belted at the waist;

snowfields of diamond dust;

the cozy monotony
of our days, in which
love appears with a holler;

the way a man’s body
has its own geography -
cliffs, aqueducts, pumice fields,
but a woman’s is the jungle,
hot, steamy, full of song;

the brain’s curiosity shop
filled with quaint mementos
and shadowy antiques
hidden away in drawers;

the plain geometry
of you, me, and art -
our angles at rest
among shifting forms.

The work of the poet
is to name what is holy,

and not to mind so much
the pinch of words
to cope with memories
weak as falling buildings,

or render loss, love,
and the penitentiary
of worry where we live.

The work of the poet
is to name what is holy,
a task fit for eternity,
or the small Eden of this hour.


Add comment 18 April 2007

Feral Beauty

Read this deep last night (or is it this morning?).

Tigress

THE LIONESS

The scent of her beauty draws me to her place.
The desert stretches, edge from edge.
Rock. Silver grasses. Drinking hole.
The starry sky.
The lioness pauses
in her back-and-forth pacing of three yards square
and looks at me. Her eyes
are truthful. They mirror rivers,
seacoasts, volcanoes, the warmth
of moon-bathed promontories.
Under her haunches’ golden hide
flows an innate, half-abnegated power.
Her walk
is bounded. Three square yards
encompass where she goes.

In country like this, I say, the problem is always
one of straying too far, not of staying
within bounds. There are caves,
high rocks, you don’t explore. Yet you know
they exist.
Her proud, vulnerable head
sniffs toward them. It is her country, she
knows they exist.

I come towards her in the starlight.
I look into her eyes
as one who loves can look,
entering the space behind her eyeballs,
leaving myself outside.
So, at last, through her pupils,
I see what she is seeing:
between her and the river’s flood,
the volcano veiled in rainbow,
a pen that measures three yards square.
Lashed bars.
The cage.
The penance.

Adrienne Rich, The Dream of a Common Language, 1975

There is so much in this poem. Just so much. The pure physicality of the lioness, the way it conveys awe over its beauty and the fear of the viewer by trespassing its space; the power of rivers, seacoasts, volcanoes, to inspire the same, the innate power beneath the beauty of her body. The irresistible danger of straying into her territory, of the desire for the inaccessible caves and high rocks among the seas, the rivers, and volcanoes. Metaphors, all of them, I can physically feel, for sexuality and spirituality both, and for relationships with the human and the divine, the body and the spirit.


8 comments 17 April 2007

Certitude

canandaigua-lake-ice.jpg

It was only a week ago that
we were out here walking this path, the
firm steps we took yielding to nothing.

But how different things can get, how
much things change in the blink of an eye.

What was once unyielding, solid and
firm has now become a raging torrent,
shifting this way and that, threatening
to drown out every last bit of solid
footing that only last week we were
so certain would hold us up.

I abandon my foothold and let
the new current bring me to a new
spot, or maybe even the same spot.

Only God knows.

One thing is certain.
If I fight too much,
I will freeze and drown.


9 comments 29 March 2007

An Evening With Wendell Berry and Harlan Hubbard

Harlan Hubbard’s “Pastoral Kentucky Hillside With Sheep”

From A Timbered Choir, 1991:1 (p. 125-6).

The year begins with war.
Our bombs fall day and night,
Hour after hour, by death
Abroad appeasing wrath,
Folly, and greed at home.
Upon our giddy tower
We’d oversway the world.
Our hate comes down to kill
Those whom we do not see,
For we have given up
Our sight to those in power
And to machines, and now
Are blind to all the world.
This is a nation where
No lovely thing can last.
We trample, gouge, and blast;
The people leave the land;
The land flows to the sea.
Fine men and women die,
The fine old houses fall,
The fine old trees come down:
Highway and shopping mall
Still guarantee the right
And liberty to be
A peaceful murderer,
A murderous worshipper,
A slender glutton, or
A healthy whore. Forgiving
No enemy, forgiven
By none, we live the death
Of liberty become
What we have feared to be.


13 comments 22 March 2007

Head for the Mountains

bear-mountain.jpgHi folks, we’re taking off for the Berkshires and Bear Mountain for the rest of the week. Won’t be blogging until probably Sunday night at the earliest. Looking forward to some much needed R+R.

In the meantime, I leave you to ruminate with Kahlil Gibran, from The Prophet:

And the priestess spoke again and said: Speak to us of Reason and Passion.

And he answered, saying:

Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against your passion and your appetite. Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody. But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements?

Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas. For reason, ruling alone, is a force unconfining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion, that it may sing; And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes.

I would have you consider your judgment and your appetite even as you would two loved guests in your house. Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both.

Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows - then let your heart say in silence, “God rests in reason.” And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, - then let your heart say in awe, “God moves in passion.” And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion.

“See” you next week.


2 comments 13 March 2007

Reductio ad absurdum

koch_ruthboaz.jpgLate last week I put up a post on Hermeneutics and Experience, that interpreting and reading Scripture depends on our ability to read the Book of Our Experience. Since then I’ve been running another, related topic through my mind. I think a lot about what happens when we read a text of any sort, or even engage in a conversation. When one person says a particular word to another person, there are certain things that can happen in response: (a) apathy, or no response (b) a “connection” is made between speaker and listener where both parties mutually understand what the word is supposed to imply, as in “inside jokes,” and (c) the speaker means one thing, but the listener “hears” or understands something totally different. The old joke about the woman who promises her new husband that “tonight is going to be the most beautiful night of your life,” who promptly spends his entire night looking expectantly out the window, comes to mind here. There is also the possibility that the speaker will use a word in a completely erroneous way, or use the wrong word in a given situation, which causes further complications in humorous or, unfortunately, destructive ways. And often enough, translation issues come up that can cause all kinds of confusion, especially in cases where a person might technically use the “right” word, but in the context it was spoken, might be exactly what the individual did NOT want to say, or has meanings to the hearer that the speaker would never have dreamed of.

Speech, though, is usually tailored and customized so that the listener gets maximum effect from what is said. Obviously this is true in politics, and it’s just as true in religion, and it’s just as true in the academy and anywhere else. Even though two parties might share the exact same word vocabulary in the exact same language, if the speaker ignores the fact that the listener does NOT share the same conceptual meaning behind the words spoken, the message will be either lost or radically misunderstood until the two can figure out what their common ground is. For example, if in speaking of where someone is, I might say “She’s off to the left.” Some hearers will now think “She’s a Democrat.” Others will think “She’s a liberal.” Others think “She’s a Mainline Protestant.” Others might come to the conclusion that she is physically to the left of where I’m referencing.

Texts and books work the same way, I think. When we read something, we’re taking in what the writer “says.” The writer, if she’s worth her salt, writes in such a way that her specific word will mean something that her readership will connect with in a way that both writer and reader mutually understand to be the same thing. He depends on the ability of a particular word or phrase to invoke specific images in the mind of the reader. Psychological, emotional, intellectual, mental, spiritual, and even physical responses can be stimulated by virtually any word we read, and these stimuli lie behind the word choice of the writer in the first place.

What I’m getting at is words can’t have a static, once-for-all-time meaning, especially when they’re translated from other languages, like Hebrew, Aramaic, Greek, Arabic, and so forth. We, on the receiving end of the written text, simply cannot always know with absolute certainty what the text is really trying to say. This isn’t to say we shouldn’t try; we certainly should, and we should use every available tool at our disposal to at least establish a high degree of probability what a certain word or phrase or text might or probably means. When we reduce texts to one particular meaning, then the preacher I mentioned the other day is right, because we let our experience completely dominate whatever the text says, either what it really says, what it might say to us still, and what we silence the text form saying at all. Obviously this kind of reductionism is absurd, whether it’s the reductionism of the professional academic biblical source critic who analyzes the words and rhetoric of texts thought to lie behind the text as it exists, or the Fundamentalist who harmonizes away all the tensions and smooths out all the rough edges with a mishmash of selective literal and allegorical interpretations and who silences passages that, left on their own and understood in a more plain sense, might be offensive to moral sensibilities.

Close with an example. The Book of Ruth is a great narrative, but it uses a particular metaphor, or more specifically a particular euphemism, that Bible translators translate into English but which absolutely destroys the scene it takes place in. The Hebrew phrase in question is normally translated as “uncovered his feet.” In the scene, Ruth gets Boaz drunk and then, after he’s gone to bed, goes to his bed and “uncovers his feet” and lies down at “his feet.” I’ll let you all look it up yourselves, it’s Ruth 3. In Hebrew idiom, Ruth definitely uncovered something of Boaz, but it was definitely not his feet. To paraphrase Freud, sometimes a foot is just as foot (as in the case of the woman in Mark 14 who washed Jesus’ feet or Mary in John 12 who anointed his feet with oil or when Jesus washes his disciples’ feet in John 13). And sometimes, as in Ruth, it’s not. The whole book, for those with eyes to see and ear to hear, is loaded with sexual tension, not with little cartoons and flannel-graphs of Ruth lying down at the foot of Boaz’ bed.

This is a deliberately provocative example, but the point is that even in an obvious case, such as this, it is all too easy to deliberately or unwittingly misread what we read; in fact, in a book like the Bible, so laden with parables, poetry, parodies, and deliberately rich symbolic imagery, writers go out of their way to make sure that some things have two, three, four, or a hundred possible meanings. There is simply no way to prevent the words of a speaker or writer (or both, in the case of stories with dialog!) from taking on meanings beyond what their original symbolic intent was, especially when the texts are constructed on the images, metaphors, and genres of other texts, some of which we have, and some of which we don’t. Reducing these text of Scripture to the absurd is so tempting in the face of so many potential questions and misreadings; but it is precisely that potential that allows for 2000 years of interpretive tradition, a stream in which ours are just small tributaries that flows into a mighty river.


3 comments 3 March 2007

Incarnation

Incarnation“The Kiss”

My first love
My best love
Tabernacled incarnation
Fiery torrent of jealousy
Wanting all of me eternally
Bleeding pierced heart
Dying for unquenchable love of me
Divine and unrequited lover
Waiting for me to hear your whispered love
Drawing me into the embrace of your friendship
Willing to teach me of your abundance
If only I would care to listen
Offering me no less than yourself
Your pulsing, enlivening Spirit
To indwell my being beyond measure
Why do I not care to drink deeply of you
My everything
Afraid to die of love
For you as you for me
Purge away my hardness
Amputate my fear
Boil away my coldness
Break the wall of false attachment
That pays homage to a hollow god
There is no other love like you
To cherish such as me
Ungrateful sluggard
Pretentious fool
Forgetful lover
Half a friend
And yet your love for me
Is all consuming, all-pursuing
A holocaust of self-forgetfulness
Waiting for a simple glance
Of heart to Heart
So in a moment
This perishing body
Becomes itself
A tent of meeting
A tender kiss
A nuptial promise
Of unending bliss
Losing self in love
For this was I created
You in me and I in you
Eternally

—–
Discovered in my files; original source unknown


2 comments 25 February 2007

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